My Stuff
A curated list of ideas and works, old and new. See also a list of lectures, talks and presentations.
Distributed Design Mentor Scheme - Mentoring community-based projects (since 2023).
Semente - An interactive method to create and re-generate community-based initiatives (2022-). Project supported by the University of Bristol.
Tropixel - Brazil-based network on arts, science, technology and society (since 2013 as a festival, reactivated as ongoing online group in 2020).
ALGO - Co-design lab studying the relation between algorithmic biases and racial justice in Brazil (2023). Part of a research project to create a critical videogame challenging algorithmic racism, supported by the University of Bristol.
OpenDoTT - PhD research on waste prevention and generous cities, part of the Open Design of Trusted Things project of University of Dundee Northumbria University and Mozilla Foundation (2019-2023). Funded by the EU’s Horizon 2020 / Marie Skłodowska-Curie research and innovation programme.
On the Exactitude of Maps - Artwork and situated research on implications of geospatial data in contemporary society (2023). Created within the project CODE - Reclaiming Digital Agency (Impakt, Transmediale, CPDP).
Scaling Distributed Manufacturing in the Global South - Report commissioned by UK's Frontier Tech Hub (2023).
Tales of Care and Repair - stories about repairs in Brazil, England and India (2021). Commissioned by the British Council’s Creative Commissions programme – a series of creative commissions exploring climate change through art, science and digital technology.
fonte.wiki - Public repository of open educational resources on digital rights (2021). Project supported by the University of Bristol.
ID21 - A study about digital inclusion and communities in Brazil (2021). Supported by the University of Bristol.
Inovação Cidadã - Conceitos - Open learning itinerary on 'citizen innovation' (2019 / 2020). Based on a consultancy to the Culture Administration of Santo André Municipality (Brazil).
TransforMatéria - Open investigation about potential connections between maker culture, repair/reuse and craftsmanship.
Ciência Aberta Ubatuba - Ubatuba Open Science, action-research project (2015-2017). Part of the OCSDNet and supported by IDRC.
Rede//Labs - open research about networked labs and experimental digital culture (2009-2016).
BricoLabs - international network on free/open hardware, software, spectrum and culture, and generic infrastructures (2006-2013).
MetaReciclagem network - critical appropriation of technologies for social change (2003-2012).
MutGamb - Mutirão da Gambiarra editorial collective (2008-2012).
Desvio - Experimental / art collective (2008-2012).
efeefe - my old blog.
Primeira publicação do coletivo Mutirão da Gambiarra, lançada em 2009. Conta a história da MetaReciclagem e histórias de MetaReciclagem.
Publicado originalmente em São Paulo, Janeiro 2009.
Realização: Coletivo MutGamb
Editor: Felipe Fonseca
Report on digital culture in Brazil, co-authored with Bronac Ferran.
https://issuu.com/anillacultural/docs/e_culture
Locating any art form within a geographical or national border is a challenging task. In the case of digital culture/new media art it is particularly paradoxical to define o...
Micropublicação compilada em 2008, como uma "tentativa de levantar algumas questões que me parecem relevantes na busca do que pode ser uma identidade brasileira nos contextos de ativismo midiático e apropriação tecnológica dos dias de hoje. Na ausência de repertório teórico e método científico, vou...
teoria, cadê? Editado por Felipe Fonseca [ff], em grande parte durante o carnaval de 2007 Avisando 1 . Issaqui é ficção baseada em colagens e remisturas não-lineares das transcrições do painel “Teoria, Cadê?”, na primeira edição da Submidialogia, que aconteceu em Campinas, outubro de 2005. Não te...
Alexandre Freire, Ariel G. Foina, Felipe Fonseca
This paper, more than presenting a case study, introduces the context in which digital and electronic culture, and the ideology that surrounds these cultures in Brazil, were able to influence the programs of the Brazilian Ministry of Culture. We w...